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Showing posts from 2016

Le Charme Discret de la Bourgeoisie (1972)

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Sociology is a subject that has always fascinated me, and, had I not been bitten by the Legend of Zelda bug as a child, I would certainly be in that line of work today. I often read about the topic, however, which, other than leading to bizarre conversations with friends deep into the night over a bottle of wine, has the side effect of triggering epiphanies for me in the most unexpected of places. For instance, a couple of months ago, my wife and I went for lunch to a small ramen shop near where we live, being sat next to a young married couple and their 5- or 6-years-old son, whom, we'd overheard, they had brought along for his first "official" taste of the dish. As we ate, we couldn't help paying attention to a particular advice they gave him about how to properly enjoy his food: "You must always make noise while slurping ramen," they said, "because the louder you are, the tastier it will be, and the happier the cook will become". My wif...

The Third Man (1949)

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I got married recently to a wonderful woman from Ibaraki called Satomi. Mozart buffs that we both are, there was no place we would rather marry than  Salzburg , his birthplace, and, since we would already be in Europe, we decided to travel around the continent for our honeymoon. Leaving Salzburg, our first stop was Vienna, a marvelous city in which, amidst all the beautiful, historical buildings, lavishing palaces and breathtaking cathedrals, a  small cinema  caught my attention, for prominently displayed by its entrance was a poster advertising a noir-looking movie called  The Third Man , featuring none other than  Orson "Citizen Kane" Welles  himself! Intrigued, I jokingly asked the ticket clerk (in my poor man's German) why such an old movie would be top-billed alongside this year's releases, to which he replied that that movie had been playing there even before he was born (!). "A great look into post-WWII Vienna", he said enthusiastically....

The Cabinet of Dr. Caligari (1920)

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The history of the  Weimar Republic  is as short as it is fascinating. Established in 1918-19 by reformist civilian politicians who aimed at introducing modern democracy to a Germany used to nothing but the authoritarian  Hohenzollern monarchy , its formative years were far from the democratic-republicanist utopia its creators had aspired. With its economy crippled by the maintenance of the blockades imposed during World War I, famine was generalized; the humiliating terms of the  Treaty of Versailles  infuriated right-wing extremists, who brewed hate and antisemitism; political instability caused by power struggles among several party coalitions made it nearly impossible to run the young republic efficiently; lastly, the German people, once suppressed by absolute state power, commanded to follow and obey, felt severely at a loss about their newly given rights, retreating  instead into themselves, yearning for a strong leader to show them ...

Gates of Heaven (1978)

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Last December, while aimlessly browsing the Internet, I happened to stumble upon an article published by Ebert in 1991 - that is, five years before starting his Great Movies collection - in which he listed his personal ten best movies of all time, comprised of films that had "moved [him] deeply in one way or another". Despite being the first time I had ever laid eyes on that article, based on what I knew about Ebert I was pretty sure of what to expect. I knew Michael Curtiz 's  Casablanca  (1942) would be in there - as it was the movie with which he had started his Great Movies compilation -, together with  Orson Welles 's  Citizen Kane  (1941) - generally regarded as " the " best movie of all time (at least by then ). I was sure that a movie by  Yasujiro Ozu  (one of Ebert's  favorite   directors   ever ), as well as one by  Martin Scorsese  (about whom Ebert even wrote a book ), had been selected as well, and I had ...